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<H1>Re: Which scanners REALLY provide 36 bit output? HP?</H1>
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<STRONG>From:</STRONG> Warren Young (<A HREF="mailto:tangent@cyberport.com?Subject=Re:%20Which%20scanners%20REALLY%20provide%2036%20bit%20output?%20HP?&In-Reply-To=&lt;3A34510F.11CD0212@cyberport.com&gt;"><EM>tangent@cyberport.com</EM></A>)<BR>
<STRONG>Date:</STRONG> Sun Dec 10 2000 - 19:59:11 PST
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Steffen Kluge wrote:
<BR>
<EM>&gt;
</EM><BR>
<EM>&gt; On Sat, Dec 09, 2000 at 11:00:06AM +0800, Steve Underwood wrote:
</EM><BR>
<EM>&gt; &gt; &gt; represent all the information possible. For 19th century photography I
</EM><BR>
<EM>&gt; &gt; &gt; believe 1200 dpi comes very close to this.
</EM><BR>
<EM>&gt; &gt;
</EM><BR>
<EM>&gt; &gt; This is about the resolution of most modern emulsions (unless you are using
</EM><BR>
<EM>&gt; &gt; super slow specialist films). I doubt the 19th centruy emulsions have
</EM><BR>
<EM>&gt; &gt; anything like that resolution. 19th century lenses are incapable of
</EM><BR>
<EM>&gt; &gt; resolving this well, anyway. Such a high resolution would only make sense
</EM><BR>
<EM>&gt; &gt; when scanning documents, or maybe paintings.
</EM><BR>
<EM>&gt; &gt;
</EM><BR>
<EM>&gt; &gt; The resolution of most film images are much poorer than most people
</EM><BR>
<EM>&gt; &gt; realise.
</EM><BR>
<EM>&gt;
</EM><BR>
<EM>&gt; Well, all decent 100ASA slide or negative emulsions are capable
</EM><BR>
<EM>&gt; of recording in excess of 100 lines/mm, at a contrast of
</EM><BR>
<EM>&gt; 1:1000. That would be 2500lpi. Good lenses can get across maybe
</EM><BR>
<EM>&gt; about 1200~2000lpi. Keep in mind that the pixels in a film
</EM><BR>
<EM>&gt; emulsion are scattered (and different in size), so you need a
</EM><BR>
<EM>&gt; lot more pixels in an orderly rectangular grid to get the same
</EM><BR>
<EM>&gt; visual resolution.
</EM><BR>
<P>It's worse than that. First assume a perfect photo: stable camera,
<BR>
perfect focus, proper exposure, no push/pull processing, etc. Given
<BR>
that, the maximum resolution you quote would only apply to objects
<BR>
exactly at the focus plane. Old photos especially have low depth of
<BR>
field since they couldn't afford to stop down, since the exposure time
<BR>
for the films and photo plates of the time was so low. Therefore, not
<BR>
everything in the photo is technically &quot;in focus&quot;, and therefore will
<BR>
not have the best theoretical resolution.
<BR>
<P>Let's also not forget that these photos have doubless deteriorated.
<BR>
<P>1200dpi should be plenty of resolution for this work. Higher bit depths
<BR>
will be a plus, though, since that will capture delicate tonal
<BR>
gradations that will be useful when you begin fiddling with stain
<BR>
removal, histogram stretching, etc.
<BR>
<PRE>
--
= Warren Young -- See my Palm pages at:
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=
= ICBM Address: 36.8274040 N, 108.0204086 W, alt. 1714m
<P>--
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